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Q: Your attachment to the property obviously compelled you to not simply rehash the story of the game. What changed and what stayed the same when doing the movie version?
Jordan Mechner: The idea of a dagger that could turn back time was of course at the heart of both the game and the movie. That started as a gameplay idea. We thought it would be cool for the player to save himself and turn back time rather than having to die and restart from a checkpoint. The story the Sands of Time and the Dagger of Time was the story I made to justify that gameplay idea. Of course with the movie, it begins with that story.
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Jake Gyllenhaal: Thank you very much.
Quint: I was very shocked that it got ignored during the awards season.
Jake Gyllenhaal: Really?
Quint: Yeah.
Jake Gyllenhaal: You know, I think those things take on lives of their own, it’s like sometimes things catch and sometimes things don’t, but it doesn’t make it any more or less of a movie, I guess. I’m really proud of that movie as a marker of sort of a new beginning in understanding of acting for me, so thank you. That means a lot.
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Quint: And you have worked with people like Roland Emmerich before who are also skilled at these kinds of giant disastersploitation, just these super fun movies, but I’ve noticed through a lot of studio pictures, you just end up with this kind of homogenized “fun,” so it’s very safe fun, but what I really kind of connected with on the PRINCE OF PERSIA stuff that, to be completely honest, I didn’t know if it was going to be there until I saw the footage was that it just didn’t seem to have that “Directed by studio mentality” feel. I don’t know if that makes any sense…
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Jake Gyllenhaal: Yes.
Quint: So, how far along are you in the movie?
Jake Gyllenhaal: We are almost done.
Quint: Really? Are you shooting in London?
Jake Gyllenhaal: No, we are shooting in Montreal. We are shooting the coolest shit right now, man. I can’t even tell you.
Quint: I’ve got to bug him “Hey, the studio might not want it, but I want to come up!”
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Quint: What’s interesting with him is he is kind of like the quiet Quentin Tarantino, where it’s like he has such amazing film knowledge. Like when I went to MOON he was wearing the most badass CLOCKWORK ORANGE t-shirt I’ve ever seen. I’m like, “Wow, I know I like you already.”
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Jake Gyllenhaal: To me, working with him… It’s surprising, his instinct, his sense of collaboration, but at the same time truly being an auteur… I don’t know man, it’s nice, because I feel like I’ve talked to a lot of journalists who have really responded to his movie and know that and I knew that when I saw it and I think people… Everyone I’ve been like “Have you seen MOON?” They’re always like “Everyone says it’s so good, I need to see it.” He’s the real deal man. Anyone who has seen it knows that and this… you are really going to like it! Source: www.aintitcool.com